World’s most portable 4K digital film camera!
Shoot Ultra HD TV or 4K feature films with the new Blackmagic Production Camera 4K. You get a large Super 35 size sensor with professional global shutter combined with precision EF mount optics, high quality visually lossless compressed CinemaDNG RAW and Apple ProRes 422 (HQ)™ file recording for a complete self contained solution. The built in touchscreen lets you monitor, change settings and enter metadata directly on the camera!
Utilize the power of 4K resolution in your work
The latest high end televisions and video projectors support Ultra HD which is four times the resolution of 1080 HD. The Blackmagic Production Camera 4K creates visually lossless compressed CinemaDNG RAW and ProRes 422 (HQ) files that are perfect for editing and grading with the software tools you already own. Now you can shoot the most amazing high resolution music videos, episodic television productions, television commercials, sport, documentaries, interviews and feature films. The Blackmagic Production Camera 4K features a single 6G-SDI output for incredible Ultra HD live production.
Compact solid metal design
The Blackmagic Production Camera 4K is precision engineered for quality in an incredibly small size. You get a beautifully crafted design featuring a machined aluminum chassis, EF lens mount for interchangeable optics, high resolution 4K Super 35 size sensor, global shutter, visually lossless compressed CinemaDNG RAW and ProRes 422 (HQ) file format. With built in uncompressed audio recording you can record professional audio straight to the ProRes files and totally eliminate separate audio syncing during post production.
Large Super 35 Sensor
With a large Super 35 size sensor you get familiar framing and behavior from the lenses you already own! The sensor features a global shutter so you get perfect panning and with minimal crop factor you also get beautiful wide angle shots from your wide angle lenses. If you're working in HD you'll love the freedom to reframe and zoom into shots without any resolution loss, and when down scaling from 4K to HD you get incredibly smooth and clean images.
EF Compatible Lens Mount
With the EF compatible lens mount you can choose high quality optics that are designed to take advantage of the large Super 35 size sensor with minimal cropping. Use the world's most amazing optics from leading lens crafters like Canon, Zeiss and more, with full electronic control! The EF compatible lens mount means you’re not locked into a specific lens, so you have the freedom to work with professional cinema lenses using rails, follow focus and other professional accessories!
Capture 4K ProRes directly to a removable SSD!
With a built in SSD recorder, Blackmagic Production Camera 4K easily captures 4K in ProRes 422 (HQ) and compressed CinemaDNG files. You get a 4K camera designed from the ground up to be part of your post production workflow! Capturing to a removable SSD means that once you’ve finished shooting you can simply connect the SSD to your computer and edit or color correct your shots straight from the disk! Disks can be formatted in either HFS+ or exFAT for Mac and Windows compatibility.
Standard files for your NLE
Unlike traditional cameras that record obscure file formats that take time to convert before you can start post production, the Blackmagic Production Camera 4K records directly to files that are compatible with your editing software. The wide dynamic range of the Super 35 size sensor can be mapped into the quantizing range of the file, so you can color grade shots with greater detail in highlights and shadows. If you're working fast, simply select 'Video' and shoot in regular REC709 color space.
Machined from solid aluminum for strength and beauty
Blackmagic Production Camera 4K has been designed with portability and durability in mind. With standard connections and an internal battery inside a beautiful machined aluminum design, you can be confident that the Blackmagic Production Camera 4K will easily handle the rigors of location work! A high resolution LCD display shows settings such as shutter speed, color temperature, aperture and timecode in an easy to read status strip.
Enter metadata on the camera
Higher image quality means even more grading power
With 12 stops of dynamic range you get amazing looking images beyond those of regular video cameras or even the highest end broadcast cameras. All this dynamic range is captured into ProRes or CinemaDNG files at 4K resolution, so images retain a beautiful film look. By capturing more detail from the sensor you can make creative decisions during DaVinci Resolve color grading! You can really push the shadows or highlights in either direction and preserve fine details in the image!
No need to buy expensive custom cables!
Blackmagic Production Camera 4K uses standard connections, so you never need to source custom cables! It includes a 6G-SDI connection for Ultra HD resolution or down converted HD output over a single SDI cable. The built in Thunderbolt connection lets you plug into a laptop computer and use the included UltraScope software for real time waveform monitoring. There are 1/4” jack mic/line inputs for recording the highest quality uncompressed audio, plus a 12V to 30V DC input, a 3.5mm headphone input socket and LANC remote control!
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
166x113x126
- Total Weight (KG)
-
1.7
MORE SPECIFICATIONS
- Power Consumption
-
24W(12V/2A)
GENERAL FEATURES
- Viewfinder
-
No
- LCD
-
5"
CONNECTIONS
- No. of Audio outputs
-
1/1
- No. of Video outputs
-
1
- No. of Audio inputs
-
2
LENS SYSTEM
- Sensor Resolution
-
8.3MP
- AC Adapter
- 2x SSD Kingston HyperX 120gb
- Davinci Software
- Media Express Software
- Ultrascope Software
- Sun Shield
- Dust Cap
- Strap
Pdf not available.
Blackmagic Production-4K Test Footage
Blackmagic Production-4K Review
Adapter
HOT
-20%
Bayonet to Canon EF
- Mechanical Lens Adapter
- For EF-Mount Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
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-20%
FD-EOS
- Mechanical Lens Adapter
- For EF-Mount Canon Cameras
- For FD-Mount Canon Lenses
- No Auto Focus support
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-20%
Nikon-EOS
- Mechanical Lens Adapter
- For EF-Mount Canon Cameras
- For F-Mount Nikon Lenses
- No Auto Focus support
Audio Mixer
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-20%
2-Channel Passive
- Portable Audio Mixer
- 2x XLR inputs
- 2x TRS 1/4" Balanced Jack output to camera
- Phantom 12/48V+
Cage
Case
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-20%
1510 Foam
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 501x193x279mm
- Dustproof/Crushproof/Watertight
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-20%
1510LFC Foam Pockets
- Handheld Hard Case with Pockets
- For Small Handheld Cameras & Laptop
- Interior(WxHxD): 501x193x279mm
- Dustproof/Crushproof/Watertight
HOT
-20%
RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
RunGun Cinema
- Handheld/Shoulder Bag?
- For Handheld/Cinema Cameras
- Interior(WxHxD):?470x310x240mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
HOT
-20%
Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Lens
HOT
-20%
100-400mm-F5-6.3-C
- Zoom Lens 100-400mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
HOT
-20%
105mm T1.5 FF-F-CE
- Prime Cine Lens 105mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
135mm T2 FF-F-CE
- Prime Cine Lens 135mm (Metric)
- f/2 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
14-24mm F2.8 DG HSM EF
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Auto Focus
HOT
-20%
14mm T2 FF-F-CE
- Prime Cine Lens 14mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Full Frame Format
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-20%
14mm-T3.1-VDSLR-MK-II-EF
- Prime Lens 14mm
- T3.1 Aperture
- Canon EF Mount
- For Full Frame & APS-C Sensors
HOT
-20%
150-600mm-F5-6.3-EF
- Zoom Lens 150-600mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
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-20%
HOT
-20%
18-35mm T2 F-CE
- Zoom Cine Lens 18-35mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Super-35 Format
HOT
-20%
18-35mm-f1.8DCHSM-Canon
- Zoom Lens 18-35mm
- f/1.8 Aperture
- Canon EF Mount
- Auto Focus
HOT
-20%
20mm T1.5 FF-F-CE
- Prime Cine Lens 20mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
24-35mm T2.2 FF-F-CE
- Zoom Cine Lens 24-35mm (Metric)
- f/2.2 Aperture
- Canon EF Mount
- Full frame & APS-C Format
HOT
-20%
24-70mm-F2.8DGOS-HSMC-EF
- Zoom Lens 24-70mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Full frame & APS-C Format
HOT
-20%
24mm T1.5 FF-F-CE
- Prime Cine Lens 24mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
24mm-T1.5VDSLR-MK-II-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
HOT
-20%
35mm T1.5 FF-F-CE
- Prime Cine Lens 35mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
35mm-T1.5VDSLR-MK-II-EF
- Prime Lens 35mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
HOT
-20%
50-100mm T2 F-CE
- Zoom Cine Lens 50-100mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Super-35 Format
HOT
-20%
50-100mm-F1.8DC-HSM-A-EF
- Zoom Cine Lens 50-100mm
- f/1.8 Aperture
- Canon EF Mount
- APS-C Format
HOT
-20%
50mm T1.5 FF-F-CE
- Prime Cine Lens 50mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
50mm-T1.5VDSLR-MK-II-EF
- Prime Lens 50mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
HOT
-20%
70-200mm f2.8 Di VC USD G2 EF
- Zoom Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- LD (Low Dispersion)
HOT
-20%
70-200mm F2.8DGOS HSM EF
- Zoom Cine Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- Full Frame & APS-C
HOT
-20%
85mm T1.5 FF F CE
- Prime Cine Lens 85mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
85mm-T1.5VDSLR-MK-II-EF
- Prime Lens 85mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
HOT
-20%
ATX11-20-F2.8-PRODX-C
- Zoom Lens 11-20mm
- f/2.8 Aperture
- Canon EF Mount
- Auto Focus
HOT
-20%
ATXi-11-16-F2.8-CF-Canon
- Zoom Lens 11-16mm
- f/2.8 Aperture
- Canon EF Mount
- 77mm Filter Size
HOT
-20%
EF 24-70mm f/2.8L II USM
- Zoom Lens 24-70mm
- f/2.8 Aperture
- Canon EF Mount
- Full Frame Format
HOT
-20%
EF70-200mm-f2.8LIII-IS
- Zoom Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- Image Stabilizer & Auto Focus
Light
HOT
-20%
LED DL160T 13x10cm
- On Camera LED Light - 13x10cm
- 160LED 950lux @1m
- 5600K (3200K with included filters)
- 1x Sony F970 Type Plate
HOT
-20%
LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
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LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
HOT
-20%
RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
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Handheld Beta 58A
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 16kHz response
Phones
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Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
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Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
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HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
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-20%
HD 280 PRO II
- Dynamic Closed Headphones
- 8Hz - 25kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 64Ohm impedance
REC-Media
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-20%
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Reader
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Docking Station
- USB SSD Reader
- 2.5" SSD/HDD
- Max Transfer Speed: 500MB/sec
- USB2.0/USB3.1 Connection
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-20%
Docking Station USB-C
- USB SSD Reader
- 2.5" SSD/HDD
- USB-C Connection
- 24h/7d/365d perfomance
Stabilizer
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-20%
HOT
-20%
UltraCage-Studio-Rig-BMCC
- Camera Cage
- For Blackmagic Cinema
- Micromount
- With Rods
Wireless
HOT
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EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
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-20%
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
HOT
-20%
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
HOT
-20%
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
HOT
-20%
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
HOT
-20%
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out