The AG-AF100A is a micro four thirds imager cinema camcorder featuring full-HD progressive recording, 24psf 10 bit* 4:2:2 camera output. It delivers the shallow depth of field and wider field of view of a large imager, with the flexibility and cost advantages of a handheld camcorder. Additionally, the AF100A is equipped with the popular expand focus assist function, which enlarges the center of the displayed image for greater ease in focusing; and a 2.39:1 (cinema scope size) safety zone marker. It is also equipped with the full range of cinematic controls including exposure, adjustable zebras, pedestal and detail, a vectorscope and waveform monitor, and much more. The AF100A can use a wide range of lenses, including Micro Four Thirds compatible DSLR (Digital Single Lens Reflex) lenses, 35mm DSLR lenses and Cinema lenses with appropriate lens mount adapters.
The AF100A complies with the AVCHD ver. 2.0 (AVCHD Progressive) standard with a new PS mode (average approx. 25Mbps, maximum 28Mbps) for recording, playing and outputting Full-HD progressive (1080/59.94p, 1080/50p) images (via HDMI only). With its two-channel XLR audio input terminals, the AF100A also supports uncompressed 16 bit LPCM 2-channel audio recording in PS/PH modes.
In all, the AF100A offers more than 50 professional features that other models in its class do not offer:
The AF100A complies with the AVCHD ver. 2.0 (AVCHD Progressive) standard with a new PS mode (average approx. 25Mbps, maximum 28Mbps) for recording, playing and outputting Full-HD progressive (1080/59.94p, 1080/50p) images (via HDMI only). With its two-channel XLR audio input terminals, the AF100A also supports uncompressed 16 bit LPCM 2-channel audio recording in PS/PH modes.
In all, the AF100A offers more than 50 professional features that other models in its class do not offer:
- Large 4/3" "Best-in-Class" MOS imager with fast image scanning and optical and low pass filters that eliminate aliasing and moiré while minimizing skew
- Records in 1080 (60i, 50i, 30p, 25p and 24p native) and 720 (60p, 50p, 30p, 25p and 24p native, utilizing AVCCAM's highest-quality PH mode (maximum 24Mbps)
- Built-in optical neutral density filters -- 2 stops, 4 stops and 6 stops. A tremendous time-saver, facilitating many more shots in a production day.
- 20 Variable Frame Rates for fast-motion or slow-mo work. These are higher-resolution Variable Frame rates in1080P in 20 steps, from 12-60 frames. Variable frame rates in 24P, 30P and 25P in1080, up to 60P or 50p dependent on 60Hz or 50Hz mode.
- Uncompressed 4:2:2, 8 Bit HD-SDI Output
- NTSC/PAL Switchable for worldwide use
- In-Camera microphone
- Industry-leading 3-year limited warranty (one year plus two extra years upon registration on PASS)
- Packaged with a copy of the highly-regarded AF100 Book by Barry Green
- HD Video and Full Audio monitoring during record and playback with high-quality audio pre-amps at the input
- Two professional XLR audio inputs, line/mic selectable with phantom power with full manual audio level control and the ability to disable all Audio Gain
- Uncompressed 48KHz 16 Bit audio recording capability in PH mode
- Small size and low weight allows it to be mounted it on sliders, camera stabilizers, small dollies, as well as to fit into small places
- Six built-in, customizable Scene Files that can be utilized for instant, easy matching between multiple cameras
- Built-in gamma curves including HD Norm, HD Low and High, Cine-like D, Cine-like V, B.Stretch
- Four selectable color matrices including Norm 1 and Norm 2, Fluorescent and Cinelike
- Color Phase and Saturation, Pedestal and Detail image control
- Two card slots that support continuous (relay) recording. Relay recording means that with two 32GB SDHC cards you can record for 6 hours with automatic clip spanning across the two cards
- HDMI output
- SDXC Card compatibility -- with a 64GB SDXC card, you can record for 12 hours in PH Mode, and 48 hours in HG Mode
- Timecode and timecode synchronizing for simple multiple-camera shoots via video out connection
- Dynamic Range Stretch in all modes and frame rates
- Focus assist that can be used while recording (color on peaking and focus bar)
- Two sets of zebras settable for your style of shooting
- Two manual black-and-white balance choices and preset White Balance at 3200 or 5600K
- Waveform monitor and Vectorscope for more accurate monitoring of Broadcast Safe Levels
- Spotmeter "marker" for instant feedback on key subject exposure value
- Black and White Recording Mode
- Syncro-scan shutter in Video Mode (1/24.0, dependent on frame rate, to 1/250; in Film Mode variable shutter angles from 1 to 360 degrees)
- Pre-record and an intervalometer function for up to 24 hours
- Different aspect ratio markings in the viewfinder/LCD -- 90% "safety zone" against the 16:9 for making sure your framing will be visible on all TVs, and 2.35, 1.85, 14:9, and 4:3
- High quality AVCCAM PH mode, full production codec, I frames B frames and P frames, also has HA Mode and HE Mode (HA and HE modes are 1080i only)
- Autofocus during record with the H-VS014140 Lumix Lenses, including face recognition technology
- Marker ability to mark clips "good" or "no good"
- Programmable User Buttons with options including delete last clip, Focus Assist, Rec Check, Capture, ATW Lock and Shot Mark
- Smart Battery interface -- record times up to 4 hours with 5400mA battery
- Metadata - assign user clip names to the clips that get shot
- Downconverted standard definition composite output
- Wireless infrared remote controller
- Professional Color bars and 1000Hz tone for communicating levels to the edit suite
- Remote iris/stop/start control interfaces, standard communication protocol as with all Panasonic professional camcorders
Specifications not available.
- Battery 5800mAh
- Battery Charger
- AC adaptor
- AC cable
- DC Cable
- Eye cup
- Microphone holder
- Remote Control
- Manuals
- CD-ROM
Pdf not available.
Panasonic AG-AF101AE Test Footage
Panasonic AG-AF101AE Review
Adapter
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2-3-Micro4-3
- Mechanical Lens Adapter
- For MFT-Mount Panas. Cameras
- For 2/3"-Mount Lenses
- No Focus Control
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B4-Micro4-3
- Mechanical Lens Adapter
- For MFT-Mount Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
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BM2 F to M4/3-mount w Booster
- Mechanical Lens Adapter??XL 0.64X
- For MFT-Mount Cameras (GH5)
- For NikonG F-Mount Lenses
- No Focus/Aperture Control
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BM3 F to M4/3-mount w Booster
- Mechanical Lens Adapter
- For MFT-Mount Cameras
- GH5 & BMPCC4K
- For NikonG F-Mount Lenses
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BT2 EF to Micro 4/3 mount
- Electronic Lens Adapter
- For MFT-mount Cameras
- For Canon EF Lenses
- Aperture Control
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EF to Micro 4/3 mount II
- Electronic Lens Adapter
- For MFT-mount Cameras
- For Canon EF Lenses
- Aperture Control
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F-mount to Micro 4/3
- Mechanical Lens Adapter
- For MFT-Mount Cameras
- For NikonG F-Mount Lenses
- No Focus/Aperture Control
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NikonG-MFT
- Mechanical Lens Adapter
- For MFT-Mount Panas. Camera
- For F-Mount Nikon Lenses
- No Aperture Control
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NikonG-Micro4-3
- Mechanical Lens Adapter
- For MFT-Mount Panas. Cameras
- For F-Mount Nikon Lenses
- No Focus Control
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PL-MFT
- Mechanical Lens Adapter
- For MFT-mount Panas. Camera
- For PL-Mount Lenses
- No Aperture Control
Case
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RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
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RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
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Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
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Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Lens
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12mm-f1.4ASPH
- Lens Lumix 12mm
- f/1.4-f/16 Aperture
- Panasonic MFT Mount
- Auto Focus
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14-140mm-F3.5-5.6-ASPH
- Zoom Lens Lumix 14-140mm
- f/3.5-5.6 Aperture -?MEGA O.I.S.
- Panasonic MFT Mount
- Image Stabilizer & Auto Focus
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14mm T3.1 VDSLR MK II MFT
- Prime Lens 14mm
- T3.1 Aperture
- Panasonic MFT Mount
- For Full Frame & APS-C Sensors
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24mm-T1.5VDSLR-MK-II-MFT
- Prime Lens 24mm
- T1.5 Aperture
- Panasonic MFT Mount
- Full Frame & APS-C Format
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35-100mm-F2.8-II
- Zoom Lens Lumix 35-100mm
- f/2.8 Max. Aperture
- Panasonic MFT Mount
- Image Stabilizer & Auto Focus
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35mm-T1.5VDSLR-MK-II-MFT
- Prime Lens 35mm
- T1.5 Aperture
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42.5mm-f1.7-ASPH-Black
- Lens Lumix 42.5mm
- f/1.7-f/22 Aperture
- Panasonic MFT Mount
- Auto Focus
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45mm-f2.8-DG-Macro-Elmarit
- Lens Lumix 45mm
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- Auto Focus - Image stabilization
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50mm-T1.5VDSLR-MK-II-MFT
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- T1.5 Aperture
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7.5mm-T3.8VDSLR-MFT
- Prime Lens 7.5mm
- T3.8 Aperture
- Panasonic MFT Mount
- Full Frame Format
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8-18mm-DG-F2.8-4.0
- Zoom Lens Lumix 8-18mm
- f/2.8 Max. Aperture
- Panasonic MFT Mount
- Auto Focus
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85mm-T1.5VDSLR-MK-II-MFT
- Prime Lens 85mm
- T1.5 Aperture
- Panasonic MFT Mount
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H-PS14042
- Zoom Lens Lumix 14-42mm
- f/3.5 - f/5.6 Aperture
- Power Zoom
- Panasonic MFT Mount
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H-PS45175
- Zoom Lens Lumix 45-175mm
- f/4.0 - f/5.6 Aperture
- Power Zoom
- Panasonic MFT Mount
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Linglung 10-24mm T2.9 MFT
- Cine Zoom Lens
- 10-24mm T2.9
- Parfocal design
- Minimal breathing
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Linglung 20-70mm T2.9 MFT
- Cine Zoom Lens
- 20-70mm T2.9
- Parfocal design
- Minimal breathing
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MK 18-55mm T2.9 MFT Cine
- Cine Zoom Lens
- 18-55mm
- T2.9 Max Aperture
- Canon RF-Mount
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MK 50-135mm T2.9 MFT Cine
- Cine Zoom Lens
- 50-135mm
- T2.9 Max Aperture
- Panasonic MFT-Mount
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Xeen-135mm-T2.2-Cine-MFT
- Prime Lens 135mm
- T2.2 Aperture
- MFT-Mount
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Xeen-24mm-T1.5-Cine-MFT
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- T1.5 Aperture
- MFT-Mount
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- Prime Lens 85mm
- T1.5 Aperture
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Zuiko Pro f4.0 12-100mm
- Zoom Lens M.Zuiko 12-100mm
- f/4.0 Aperture
- Panasonic MFT Mount
- Image Stabilizer & Auto Focus
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Zuiko Pro f4.0 12-45mm
- Zoom Lens M.Zuiko 12-45mm
- f/4 Aperture
- Panasonic MFT Mount
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Zuiko Pro II f2.8 12-40mm
- Zoom Lens M.Zuiko 12-40mm II
- f/2.8 Aperture
- Panasonic MFT Mount
- Image Stabilizer & Auto Focus
Light
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LED DL160T 13x10cm
- On Camera LED Light - 13x10cm
- 160LED 950lux @1m
- 5600K (3200K with included filters)
- 1x Sony F970 Type Plate
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LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
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LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
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C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
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Cardioid SM58S
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 15kHz response
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E-835S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -51dB
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E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
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E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
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E-935
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
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Handheld Beta 58A
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 16kHz response
Monopod
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Aluminum w 18KG Payload
- Monopod
- For Handheld/Photo Cameras
- 18KG Payload
- 68-192cm
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Aluminum w 8KG Payload
- Monopod with Fluid Head
- For Handheld/Photo Cameras
- 8KG Payload
- 78-203cm
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Carbon Fiber w 20KG Payload
- Monopod
- For Handheld/Photo Cameras
- 20KG Payload
- 60-188cm
Phones
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Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
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Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
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HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
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HD 280 PRO II
- Dynamic Closed Headphones
- 8Hz - 25kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 64Ohm impedance
REC-Media
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SDHC Extreme Pro 32GB V30 100
- SDHC Card 32GB
- Write: 90MB/sec
- Read: 100MB/sec
- C10, U3, V30
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SDXC Extreme Pro 256GB V30 200
- SDXC Card 256GB
- Write: 140MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC Extreme Pro 512GB V30 200
- SDXC Card 512GB
- Write: 140MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC64EXT PRO V30 200M
- SDXC Card 64GB
- Write: 90MB/sec
- Read: 200MB/sec
- C10, U3, V30
Reader
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ImageMate Pro USBC
- USB Card Reader
- SDHC/SDXC/MicroSD/CF Cards
- Max Transfer Speed: 500MB/sec
- USBC Connection-USB3.0 interface
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USB 3.1 Type-C for SD and CF
- USB Card Reader
- 3x Card Slots
- SDHC/SDXC/MicroSD/CF Cards
- USB 3.1 Gen 1 (USB 5Gbps)
Tripod
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ACE M GS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 58-173cm
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ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
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ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
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ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
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ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
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ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
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ACE-M-GS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 57-173cm
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ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
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Aluminum FreeBlazer AD-80
- Tripod Kit for Video Cameras
- FreeSpeed
- 8KG Max. Payload
- 1.91M Max. Height
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Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
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Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Wireless
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EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
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EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
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EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
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EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
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UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
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UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
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XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
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XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
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- 1x Transmitter with 3.5mm Jack out