URSA Mini Pro 12K OLPF is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!
Advanced Digital Film Camera!
Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS‑II SD card recorders, a SuperSpeed USB‑C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!
Digital Film, Extreme Resolution
URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.
Shoot in 12K, Edit on a Laptop
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.
RAW Fueled Image Capture
Only Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.
Optimized for Fast Flexible Post Production
Shooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.
Generation 5 Color Science
Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!
Full Resolution at Higher Frame Rates
URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.
High Band Width Recording
URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With "Record RAW on 2 Cards" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps!
URSA Mini Pro 4.6K G2
URSA Mini Pro 4.6K G2 has a Super 35mm 4.6K sensor with 15 stops of dynamic range at up to 120 fps or 2K at up to 300 fps! The interchangeable lens mount comes with EF as standard, optional PL, F and B4 mounts available. You get built in ND filters, Blackmagic RAW or ProRes recording to dual CFast or SD cards, HD‑SDI monitoring, XLR audio, timecode or reference in and a USB‑C expansion port.
URSA Mini Pro 12K
Featuring a revolutionary 12,288 x 6,480 Super 35mm sensor with PL mount as standard, the URSA Mini Pro 12K has extra resolution for high end production. With a massive 80 megapixels per frame at 60 fps in RAW, you can capture perfect stills and motion shots in a single camera! URSA Mini Pro 12K also includes a SuperSpeed USB-C 3.1 Gen 2 expansion port for recording to incredibly fast NVMe SSDs.
Easy to Use Blackmagic OS
With advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
Lightweight, Portable Design
URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!
Built in Precision ND Filters
URSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!
Direct Recording to External Disks
Blackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!
Monitoring and Camera Control
The built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a "heads up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!
Digital Slate for Fast Metadata Entry
URSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!
Full Size, Durable Connections that Work with Standard Cables
URSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera
Wireless Bluetooth Camera Control
If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!
Includes DaVinci Resolve Studio
URSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.
Optional Shoulder Mount Kit
URSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!
Viewfinder for Accurate Focus
The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!
Blackmagic URSA Mini Recorder
The new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro between the camera and the battery. It’s controlled via the USB‑C so you don’t have to worry about manually starting or stopping the SSD recorder.
Compatible with Industry Standard Batteries and Power
URSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.
MORE SPECIFICATIONS
- Power Consumption
-
Not specified
GENERAL FEATURES
- Viewfinder
-
Optional
- LCD
-
4"
CONNECTIONS
- No. of Audio outputs
-
1/1
- No. of Video outputs
-
1
- No. of Audio inputs
-
2/1
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
150x146x233
- Total Weight (KG)
-
2.54
LENS SYSTEM
- Sensor Resolution
-
12.288x6480pixels (12K)
- Blackmagic URSA Mini Pro 12K with OLPF Body
- Turret dust cap
- PL lens mount
- Power supply
- DaVinci Resolve Studio activation key
Accessory
Arri Rosette Extension Arm
- Extension Arm
- Rossette Mount
- For RED, URSA, FS7 cameras
- M6 female to M6 male thread
Adapter
Bayonet to Canon EF
- Mechanical Lens Adapter
- For EF-Mount Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
FD-EOS
- Mechanical Lens Adapter
- For EF-Mount Canon Cameras
- For FD-Mount Canon Lenses
- No Auto Focus support
G-Lock Plate for URSA
- Battery Plate Adapter
- Gold Mount Plate
- D-TAP Output
- Gives Power to BM URSA
Nikon-EOS
- Mechanical Lens Adapter
- For EF-Mount Canon Cameras
- For F-Mount Nikon Lenses
- No Auto Focus support
Ursa-Mini-Mic-Mount
- Microphone Mount
- For URSA Cameras
- For Shotgun Microphones
- Shock mount
Ursa-Mini-Pro-F-Mount
- Lens Adapter
- For Ursa Mini Pro Camera
- For F Mount Lenses
- Precise fit
V-Lock Plate for URSA
- Battery Plate Adapter
- V-Mount Plate
- D-TAP Output
- Gives Power to BM URSA
Battery
V150 Mini V-Lock w USB 142Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 9600 mAh, 142Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection High Quality
- 2-year Warranty
V155 Mini V-Lock w USB 155Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 10.5Ah, 155Wh
- Max Current 12A Zero Memory Effect. Low self discharge. Info chip - overheating protection
V190 V-Lock w USB 190Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 13200mAh, 190Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
V200 Mini V-Lock w USB 207Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 14000mAh, 207Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection High Quality
- 2-year Warranty
V230 V-Lock w USB 230Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 15600mAh, 230Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
V300 V-Lock w USB 300Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 21000mAh, 310Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
V95 Mini V-Lock w USB 95Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 6400mAh, 95Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection High Quality
- 2-year Warranty
V95 V-Lock w USB 95Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 6600mAh, 95Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
V98 Mini V-Lock w USB 98Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB, USB-C
- 14.8V, 6620mAh, 98Wh
- Max Current: 10A Zero Memory Effect. Low self discharge. Info chip - overheating protection
Cage
Kit for URSA Mini
- Accessory Kit
- For URSA Mini Pro G2
- Quick release - VCT Type
- Extension Arms
Side Plate for URSA Mini
- Aluminum Plate
- For Ursa Mini, Mini Pro Cameras
- Side Plate
- Arri Rosette
Case
1560 Dividers
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
1560 Foam
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
1560LFC
- Handheld Hard Case
- For Handheld Cameras & Laptop
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
RunGun Large
- Handheld/Shoulder Bag
- For Handheld/Shoulder Cameras
- Interior(WxHxD):?600x300x240mm
- Dustproof/Shockproof/Waterproof
Charger
V-Lock 1 Channel w DTAP
- High quality Single Vlock Charger
- For Sony Vlock type batteries
- 16.8V/3.2A
- D-TAP Connector
V-Lock 2 Channel
- High quality Dual Vlock Charger
- For Sony Vlock type batteries
- Simultaneous charging
- 16.8V/3.2A x2
V-Lock 4-Channel
- Quad Charger
- For V-Lock Batteries
- For Sony Video Cameras
- 16.8V/2.6A x4
Controller
APC-R
- Controller for Gimbals
- Compatible w Selected BM Cameras
- Wi-Fi & Bluetooth - 2.4 GHz Freq.
- Ethernet RJ-45, Micro-USB Ports
ATEM-Camera-Control-Panel
- Panel for Cameras
- RCU Controller
- Iris, Shutter, WB Controls
- Gain, Pedestal, RGB Controls
Ursa-Mini-Handgrip
- Controller
- For Blackmagic
- Ursa mini pro cameras
- REC start/stop
Converter
Camera-Fiber-Converter
- Fiber Converter for URSA Cameras
- 3840x2160 50/60P
- 12G/HD/SD-SDI input
- 3G/HD/SD-SDI outputs
Studio Fiber for URSA
- Fiber Studio Converter for URSA
- 3840x2160 50/60P
- 12G/HD/SD-SDI inputs
- 3G/HD/SD-SDI outputs
Cover
rainCover Medium
- Raincover for Cameras
- For Digital Cine & Full-Frame Cameras
- Easy Access to Controls
- Dustproof/Scratchproof/Waterproof
wetSuit for URSA Mini Pro
- Raincover for Cameras
- Blackmagic URSA Mini Pro/G2
- Easy Access to controls
- Dustproof/Scratchproof/Waterproof
Handle
Mini Shoulder for URSA
- Shoulder Rig with Handles
- Upper Adjustable Handle
- 2x Side Handles
- Rail mounts 15mm
Lens
14mm T2 FF-F-AP2
- Prime Cine Lens 14mm (Metric)
- f/2 Aperture
- PL Mount
- i Technology
20mm T1.5 FF-F-AP2
- Prime Cine Lens 20mm (Metric)
- f/1.5 Μax Aperture
- PL Mount
- i Technology
85mm T1.5 FF-F-AP2
- Prime Cine Lens 85mm (Metric)
- f/1.5 Μax Aperture
- PL Mount
- i Technology
Arles Prime 100mm PL
- Prime Cine Lens 100mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 14mm PL
- Prime Cine Lens 14mm
- T1.9 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 25mm PL
- Prime Cine Lens 25mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 35mm PL
- Prime Cine Lens 35mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 50mm PL
- Prime Cine Lens 50mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 75mm PL
- Prime Cine Lens 75mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
CZ.2-70-200mm-T2.9-PL
- Cine Zoom Lens?70-200mm
- T2.9 Max Aperture
- PL-Mount
- Full Frame Format
PAVO 100mm T2.4 2x Anamorphic
- Anamorphic Lens 100mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.4-T22
- Super35/APS-C Format
PAVO 135mm T2.5 2x Anamorphic
- Anamorphic Lens 135mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.5-T22
- Super35/APS-C Format
PAVO 180mm T2.8 2x Anamorphic
- Anamorphic Lens 180mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.8-T22
- Super35/APS-C Format
PAVO 28mm T2.1 2x Anamorphic
- Anamorphic Lens 28mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
PAVO 32mm T2.1 2x Anamorphic
- Anamorphic Lens 32mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
PAVO 40mm T2.1 2x Anamorphic
- Anamorphic Lens 40mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
PAVO 55mm T2.1 2x Anamorphic
- Anamorphic Lens 55mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
PAVO 65mm T2.8 2x Anamorphic
- Anamorphic Lens 65mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.8-T22
- Super35/APS-C Format
PAVO 75mm T2.1 2x Anamorphic
- Anamorphic Lens 75mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
XK 20-120mm T3.5 PL Cine
- Cine Zoom Lens
- 20-120mm?
- T3.5 Max Aperture
- PL-Mount
XK 20-120mm T3.5 PL w Servo
- Cine Zoom Lens
- 20-120mm?T3.5
- Zoom Servo
- PL-Mount
Microphone
C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
E-935
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
NTG3 Shotgun Black
- Shotgun Microphone (Black)
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -30dB
NTG4 Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB
NTG4+ Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB - Internal Battery
Monitor
BM5 III WR 5.5-Inch HDMI-SDI
- On-Camera Monitor
- LCD 5.5" 1920x1080Pixel
- HDMI/SDI IN and SDI OUT
- 10-bit Color Depth
URSA Studio Viewfinder G2
- Studio Viewfinder
- LCD IPS 7" 1920x1200Pixel
- 3G/HD/SD-SDI input
- Tally/Waveform/Histogram
Phones
Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
REC-Media
CFast128EXT-PROII
- CFast 2.0 Card 128GB
- Write: 450MB/sec
- Read: 525MB/sec
- CFast 2.0
SSD T7 Shield Portable 1TB
- SSD 1TB
- Write: 1000MB/sec
- Read: 1050MB/sec
- USB C interface
SSD T7 Shield Portable 2TB
- SSD 2TB
- Write: 1000MB/sec
- Read: 1050MB/sec
- USB C interface
Reader
USB 3.0 for CFast 2.0
- USB Card Reader
- CFast 2.0/1.1/1.0 Cards
- Max Transfer Speed: 500MB/sec
- USB3.0/USB2.0 Connection
Recorder
SSD for URSA Mini
- On-Camera SSD/HDD Recorder
- For Ursa Mini Pro Cameras
- Cinema DNG Files
- ProRes files
Tripod
ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
Aktiv10-Flowtech-100-GS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Ground spreader
- Aktiv10 instant mounting
Aktiv10-Flowtech-100-MS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Mid spreader
- Aktiv10 instant mounting
Aktiv6-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Ground spreader
- Aktiv6 instant mounting
Aktiv6-Flowtech-75-MS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Mid spreader
- Aktiv6 instant mounting
Aktiv8-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
Aktiv8T-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Viewfinder
OEYE 3G EVF HDM SDI
- Electronic Viewfinder
- Micro-OLED 0.71" 1920x1080Pixel
- 3G-SDI and HDMI Inputs/Loop Outputs
- Brightness: 200nits
Ursa-Viewfinder
- On-Camera Viewfinder
- HD/SD-SDI input
- OLED 1920x1080pixel
- For Blackmagic URSA/URSA Mini
Wireless
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out