Advanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and locking EF Mount. Records Blackmagic RAW with proxies to CFexpress.
The World’s Most Riggable Full Frame Digital Film Camera!
Introducing the next generation customizable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!
Designed for Maximum Customizability!
With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!
Get the Hollywood Look with Digital Film!
Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!
Large Format Cinematic Digital Film Sensor!
Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.
Full Frame Flexibility
The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!
Three Great Models!
With 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!
Shoot Incredible High Dynamic Range (HDR) Images
The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!
Dual Gain ISO for Exceptional Low Light Performance
In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.
Multiple Resolutions and Frame Rates
Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!
Large 4″ LCD Monitor
The built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.
All Controls at your Fingertips
Blackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.
Side Plates for Flexible Mounting Options!
The innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1/4″ thread mounts and one 3/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1/4″ thread mounts and 4 3/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!
Post Production Friendly File Formats!
Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.
Record to CFexpress Cards or External Disks!
The Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!
Blackmagic RAW
The quality of RAW and the speed of video!
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!
Color Temperature
Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.
Contrast
Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.
ISO
Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.
Tint
Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.
Saturation
Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.
Exposure
In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!
Powered by Blackmagic OS
With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
Generation 5 Color Science
Featuring the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.
Live Sync to Blackmagic Cloud and Editors
Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!
Three Post Production Workflows!
1. Record to Internal Storage
You can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.
2. Select and Upload Clips
If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.
3. Record into DaVinci Resolve
Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.
Connect 5G or 4G Phones for Mobile Data
When uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.
Works with URSA Cine Viewfinder and Accessories
Blackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.
Professional Connections for Custom Rigs!
Blackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!
Built-in Microphones and Professional Audio Inputs
With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.
Load Custom 3D LUTs to Recreate Film Looks!
Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.
USB-C for External Disks and Ethernet Control
The Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!
Built In SRT and RTMP Live Streaming
Now you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!
Get Multi Camera Shoots in Perfect Sync!
Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!
Shoot Still Framesup to 21.2 Megapixels!
In addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.
Localized for 13 Popular Languages
Blackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.
Wireless Bluetooth Camera Remote Control
If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!
Power from Batteries or 12V DC!
Blackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.
Includes DaVinci Resolve Studio
Blackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!
LENS SYSTEM
- Sensor Resolution
-
Not Specified
CONNECTIONS
- No. of Video outputs
-
1
- No. of Audio inputs
-
1/1
- No. of Audio outputs
-
1/1
GENERAL FEATURES
- ISO
-
Dual Native: 400 and 3200
- LCD
-
4"
- Viewfinder
-
Optional
MORE SPECIFICATIONS
- Power Consumption
-
Not specified
PHYSICAL
- Total Weight (KG)
-
1.5
- Total Dimensions (WxHxD) (mm)
-
105χ119χ150
- Blackmagic PYXIS 6K
- Lens turret dust cap
- PYXIS Standard Plate
- PYXIS SSD Plate
- 60W power supply with locking connector and international adapters
- Welcome booklet
- DaVinci Resolve Studio activation key
Adapter
Bayonet to Canon EF
- Mechanical Lens Adapter
- For EF-Mount Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
Battery
BPU-30 14.8V 3350mAh
- High Quality Li-ion Mini Battery
- Sony BP-U30/U60 type battery
- For Sony FS5, FS7, X180 cameras
- 14.8V, 3.350mAh, 49.6Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
BPU-65 14.8V 6700mAh w USB
- High Quality Li-ion Mini Battery
- Sony BP-U60 type battery with USB
- For Sony FS5, FS7, X180 cameras
- 14.8V, 6700mAh, 99.2Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
BPU-90 14.8V 10.050mAh
- High Quality Li-ion Mini Battery
- Sony BP-U60 type battery
- For Sony FS5, FS7, X180 cameras
- 14.8V, 10.050mAh, 148.7Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
Case
1560 Dividers
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
1560 Foam
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
1560LFC
- Handheld Hard Case
- For Handheld Cameras & Laptop
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
RunGun Large
- Handheld/Shoulder Bag
- For Handheld/Shoulder Cameras
- Interior(WxHxD):?600x300x240mm
- Dustproof/Shockproof/Waterproof
Charger
Controller
ATEM-Camera-Control-Panel
- Panel for Cameras
- RCU Controller
- Iris, Shutter, WB Controls
- Gain, Pedestal, RGB Controls
Handle
Top for URSA Cine
- Topside Handle
- For URSA Cine Cameras
- Locks via 2x 1/4 Screws
- 2x 15mm Rod Ports
Lens
105mm-f1.4-DG-HSM-A-EF
- Prime Lens 105mm Art
- f/1.4 Max Aperture
- Canon EF-Mount
- Auto Focus
12mm-F2.8-ED-AS-NCS-EF
- Prime Lens Fisheye 12mm
- F2.8 Max ?Aperture
- Canon EF Mount
- For Full Frame & APS-C Sensors
14-24mm F2.8 DG HSM EF
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Auto Focus
14mm T2 FF-F-CE
- Prime Cine Lens 14mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Full Frame Format
14mm T3.1 ED AS IF UMC II EF
- Prime Lens 14mm
- T3.1 Aperture
- Canon EF Mount
- For Full Frame & APS-C Sensors
14mm-T3.1-VDSLR-MK-II-EF
- Prime Lens 14mm
- T3.1 Aperture
- Canon EF Mount
- For Full Frame & APS-C Sensors
150-600mm-F5-6.3-EF
- Zoom Lens 150-600mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
20mm T1.5 FF-F-CE
- Prime Cine Lens 20mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
24mm-T1.5VDSLR-MK-II-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
35mm-T1.5VDSLR-MK-II-EF
- Prime Lens 35mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
85mm T1.5 FF F CE
- Prime Cine Lens 85mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
Arles Prime 100mm PL
- Prime Cine Lens 100mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 14mm PL
- Prime Cine Lens 14mm
- T1.9 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 25mm PL
- Prime Cine Lens 25mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 35mm PL
- Prime Cine Lens 35mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 50mm PL
- Prime Cine Lens 50mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
Arles Prime 75mm PL
- Prime Cine Lens 75mm
- T1.4 Max. Aperture
- PL-Mount - Metric
- Full Frame Format
CZ.2-15-30mm-T2.9-EF
- Cine Zoom Lens
- 15-30mm
- T2.9 Max Aperture
- Canon EF-Mount
CZ.2-28-80mm-T2.9-EF
- Cine Zoom Lens
- 28-80mm
- T2.9 Max Aperture
- Canon EF-Mount
CZ.2-70-200mm-T2.9-EF
- Cine Zoom Lens
- 70-200mm
- T2.9 Max Aperture
- Canon EF-Mount
EF 24mm f1.4L II USM
- Prime Lens 24mm
- f/1.4 Max. Aperture
- Canon EF Mount
- Auto Focus
EF14mm-f2.8L-II-USM
- Prime Lens 14mm
- f/2.8 Max. Aperture
- Canon EF Mount
- Auto Focus
Gnosis Prime 32mm EF PL
- Gnosis Macro Prime Lens
- 32mm T2.8 Full Frame
- EF & PL Mounts
- 1.0X Magnification Ratio
Gnosis Prime 3Kit
- Gnosis Macro Prime Lens Kit
- Includes 32/65/90mm Lenses
- T2.8 Full Frame
- EF & PL Mounts
Gnosis Prime 65mm EF PL
- Gnosis Macro Prime Lens
- 65mm T2.8 Full Frame
- EF & PL Mounts
- 1.33X Magnification Ratio
Gnosis Prime 90mm EF PL
- Gnosis Macro Prime Lens
- 90mm T2.8 Full Frame
- EF & PL Mounts
- 1.5X Magnification Ratio
Vespid Prime 12mm
- Cine Prime Lens
- 12mm T2.8
- Minimal breathing
- EF or PL Mount
Vespid Prime 16mm
- Cine Prime Lens
- 16mm T2.8
- Minimal breathing
- EF or PL Mount
Vespid Prime 21mm
- Cine Prime Lens 21mm
- Max. ApertureT2.1
- EF or PL Mount
- Full Frame Format
Vespid Prime 25mm
- Cine Prime Lens 25mm
- Max. Aperture T2.1
- EF or PL Mount
- Full Frame Format
Vespid Prime 35mm
- Cine Prime Lens 35mm
- Max. Aperture T2.1
- EF or PL Mount
- Full Frame Format
Vespid Prime 40mm
- Cine Prime Lens 40mm
- Max. Aperture T2.1
- EF or PL Mount
- Full Frame Format
Vespid Prime 50mm
- Cine Prime Lens 50mm
- Max. Aperture T2.1
- EF or PL Mount
- Full Frame Format
Vespid Prime 75mm
- Cine Prime Lens 75mm
- Max. Aperture T2.1
- EF or PL Mount
- Full Frame Format
Vespid Prime 90mm
- Cine Prime Lens 90mm Macro
- Max. Aperture T2.8
- EF or PL Mount
- Full Frame Format
Vespid Retro Silver 7-Kit
- Cine Prime Lens Kit
- 16/25/35/50/75/100/125mm
- 80mm Front Diameter
- Full Frame - EF & PL Mounts
Xeen-24mm-T1.5-Cine-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
Light
LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
E-935
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
NTG3 Shotgun Black
- Shotgun Microphone (Black)
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -30dB
NTG4 Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB
NTG4+ Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB - Internal Battery
Monitor
BM5 III WR 5.5-Inch HDMI-SDI
- On-Camera Monitor
- LCD 5.5" 1920x1080Pixel
- HDMI/SDI IN and SDI OUT
- 10-bit Color Depth
BM7 II 7-Inch HDMI-SDI
- On-Camera Monitor
- With Wireless Camera Control
- LCD 7" 1920x1080Pixel
- HDMI/3G-SDI IN and 3G-SDI OUT
Cine 7
- On-Camera Monitor
- 7" LCD IPS Panel
- 3G/HD/SD-SDI & HDMI IN/OUT
- 3D LUT functionality
Indie 7
- On-Camera Monitor
- 7" LCD IPS
- 3G/HD/SD-SDI & HDMI IN/OUT
- 3D LUT functionality
P7S-HDMI
- On-Camera Monitor 4K/HD
- 7" IPS LCD IPS 1920x1200pix
- Up to 4K 30P & 1920x1080 50/60P
- 3G-SDI and 4K HDMI Loop-out
PYXIS 5 Inch
- On-Camera Monitor
- LCD 5" HDR 1920x1200Pixel
- Up to 60fps
- Brightness 1500 nits
Shinobi 7
- On-Camera Monitor
- HDMI 4K input & 3G-SDI
- Up to 4K 4096x2160 @25/30P
- 7" LCD 1920x1080 Touch IPS Panel
Ultra 7 UHD 4K Touchscreen
- On-Camera Monitor
- 7" LCD IPS Touch, 1920x1200 Resolution
- 6G/HD/SD-SDI & HDMI IN/OUT
- Contrast: 1000:1 - Brightness: 2300nits
Phones
Closed-Back NTH 100
- Dynamic Closed Headphones
- 5Hz - 35Khz Frequency Response
- 3.5mm to 1/4" Adapter
- 32Ohm impedance
Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
REC-Media
CF-Express B 128GB
- CF Express 128GB
- Write: 1200MB/sec
- Read: 1700MB/sec
- CF Express Type B
CF-Express B 256GB
- CF Express 256GB
- Write: 1200MB/sec
- Read: 1700MB/sec
- CF Express Type B
CF-Express B 512GB
- CF Express 512GB
- Write: 1400MB/sec
- Read: 1700MB/sec
- CF Express Type B
SSD T7 Portable 1TB
- SSD 1TB
- Write: 1000MB/sec
- Read: 1050MB/sec
- USB 3.2/ USB 3.1 Gen 2 interface
SSD T7 Shield Portable 1TB
- SSD 1TB
- Write: 1000MB/sec
- Read: 1050MB/sec
- USB C interface
SSD T7 Shield Portable 2TB
- SSD 2TB
- Write: 1000MB/sec
- Read: 1050MB/sec
- USB C interface
SSD T9 Portable 1TB
- SSD 1TB
- Write: 1950MB/sec
- Read: 2000MB/sec
- USB-C 3.2 Gen 2X2 interface
SSD T9 Portable 2TB
- SSD 2TB
- Write: 1950MB/sec
- Read: 2000MB/sec
- USB-C 3.2 Gen 2X2 interface
SSD T9 Portable 4TB
- SSD 4TB
- Write: 1950MB/sec
- Read: 2000MB/sec
- USB-C 3.2 Gen 2X2 interface
Recorder
Video Assist 5 12G
- On-Camera Recorder/Monitor
- 5" Touchscreen LCD
- 12G-SDI Micro IN/OUT & HDMI IN
- 4096x2160 25P, 3840x2160 50/60P
Video Assist 5 3G
- On-Camera Recorder/Monitor
- 5" Touchscreen LCD
- 3G-SDI Micro IN/OUT & HDMI IN
- 1920x1080 50P/60P
Video Assist 7 12G
- On-Camera Recorder/Monitor
- 7" Touchscreen LCD
- 12G-SDI IN/OUT & HDMI IN
- 4096x2160 25P, 3840x2160 50/60P
Video Assist 7 3G
- On-Camera Recorder/Monitor
- 7" Touchscreen LCD
- 3G-SDI IN/OUT & HDMI IN
- 1920x1080 50P/60P
Stabilizer
Crane 3S Pro
- Handheld Gyro Stabilizer
- For Cine/Photo Cameras
- Payload: 6.5KG
- Follow Focus/Zoom Motor
Crane 4
- Handheld 3-Axis Gyro Stabilizer
- For Cine/Photo Cameras
- Payload: 6 KG
- Extended Arm for Full-Frame Lenses
Tripod
ACE M MS MK II 4KG AL
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
ACE XL AL MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
ACE XL CF GS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
Aktiv10-Flowtech-100-GS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Ground spreader
- Aktiv10 instant mounting
Aktiv10-Flowtech-100-MS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Mid spreader
- Aktiv10 instant mounting
Aktiv6-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Ground spreader
- Aktiv6 instant mounting
Aktiv6-Flowtech-75-MS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Mid spreader
- Aktiv6 instant mounting
Aktiv8-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
Aktiv8T-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
FreeBlazer AD-Pro8 CF
- Tripod Kit for Video Cameras
- FreeSpeed - Carbon Fiber
- 8KG Max. Payload
- 1.96M Max. Height
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Viewfinder
URSA Cine EVF
- On-Camera Electronic Viewfinder For URSA Cine 12K/ PYXIS 6K Cameras
- USB-C, DisplayPort Inputs
- Zoom, Exposure & Record Buttons
- OLED Display - 1920x1080p Resolution
Wireless
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out