Sony - Camera
BURANO 8K
26,250.00 EUR
25,200.00 EUR
- MFR-CODE: MPC-2610
- Cinema Camera
- Up to 8K 8632 x 4856 30P
- E-Mount?CMOS Full Frame
- Slow and Quick Motion
- +16 Stops Dynamic Range
- 2 x CFExpress,1 x SD/SDHC/SDXC
- 12G/6G/3G-SDI, HD-SDI Outputs
- HDMI Type A Output
A New Era in Cinematography
BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.
Smarter Shooting
Smarter Shooting
BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.
Shoot The Way You Want
BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.
Full-Frame 8.6K Sensor
BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.
Multiple Image Scan Modes
BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements.
* Only 17:9 in Super 35 Cropped (S35c) mode
16 Stop Latitude
With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading.
* S-Log3 shooting. Sony measurements.
Wide Colour Gamut
BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow.
Dual Base ISO
Dual Base ISO
Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight.
Internal 16-bit X-OCN LT and XAVC H recording
Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.
BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow.
* Not compatible with X-OCN XT and X-OCN ST recording formats
Teal and Orange
New in-camera Looks for Ready-to-Use Footage
BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow.
s709: Kodak 2383-like natural tones and colours
s709(800): Standard 709 tone curve for accurate colour reproduction*
Teal and Orange
A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects.
Warm
Warm
A soft, gentle look with amber highlights, and flattering for skin.
Cool
Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn.
Vintage
Cool
Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn.
Vintage
Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect.
Lens Mount Flexibility
Four BURANO cameras with Cooke, SEL50F12GM, SEL70200GM2 and Zeiss lenses
PL Lens Mount
BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.
Lever Lock Type E-mount
E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects.
Anamorphic Lens De-Squeeze function
BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/1.5x*/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.
* Requires firmware Ver. 1.1 or higher
In-Body Stabilisation with PL mount lenses
BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications.
Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.
Electronic Variable ND Filter
Electronic Variable ND Filter
Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.
Catch the action with Fast Hybrid AF*
Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.
The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.
AI Subject Recognition AF with touch*
Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask.
Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.
* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features
Codec, Imager Scan mode, Picture Size and frequency
Virtual Production made simple
Up to 8K recording and 16-bit colours allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry.
Dual CFexpress Type B Slots
Sony’s new CFexpress card VPG400* allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.
BURANO’s dual media slots allow relay and simultaneous recording**, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.
* Non-VPG CFexpress Type B memory cards are not guaranteed for normal operation.
Smaller, Lighter, Stronger
At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.
All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.
Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components.
** XAVC-only
Intuitive Menu Control with Touch
BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:
Codec, Imager Scan mode, Picture Size and frequency
- Base ISO/Sensitivity
- Shooting Mode
- Audio Levels
Versatile Monitor
BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style.
Smart Grip Flexibility
Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.
* Optional accessory
Camera Menu Simulator
Sony’s BURANO Camera Simulator is an interactive training tool that represents the CineAlta camera’s menu-driven user interface.
Advanced Multi Camera Operation
Advanced Multi Camera Operation
S700* support enables remote control of a BURANO using an RCP remote control panel.
High-level control allows for seamless multi-camera operation of the BURANO with Sony’s system cameras and Cinema Line cameras**.
Controllable settings include exposure, white balance, paint, and more depending on the RCP model. BURANO’s Multi Matrix Area Indication also supports multi-camera operation.
* Requires firmware Ver. 1.1 or higher
** Refer to current support information for compatible models.
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
452x363x292
- Total Weight (KG)
-
5.80
MORE SPECIFICATIONS
- Power Consumption
-
50.0 W
- Extras
-
PL Mount (detachable)/ E-mount (lever lock type).
Built-in ND filter CLEAR, linear variable ND (0.6(1/4) - 2.1(1/128)).
GENERAL FEATURES
- LCD
-
3.5"
- Viewfinder
-
Yes
- ISO
-
ISO 800/3200 (Cine EI mode, D55 Light source)
- Shutter speed
-
1/8000sec to 1sec
CONNECTIONS
- No. of Audio outputs
-
1
- No. of Audio inputs
-
2
- No. of Video outputs
-
1/1/1
LENS SYSTEM
- Sensor Resolution
-
41.9MP
- Sony BURANO 8K Camera
- Handle (with viewfinder arm)
- 4 x Handle mounting screws
- LCD monitor
- Viewfinder loupe
- Viewfinder mount adaptor
- Shim (circular)
- 15 x Shim (1/3 arc)
- E-mount cap
- PL mount cap
Pdf not available.
Sony PXW-FX9 Test Footage
Sony PXW-FX9 Review
Accessory
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Sensor Cleaner F24K
- Sensor Cleaner
- Contains 12 pieces of Sensor Cleaning Rod
- For Full Frame CCD, CMOS Sensors
- High dust-attracting Power
Adapter
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-20%
B4-Sony-E
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
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-20%
BT6 Cine EF to E-mount
- Electronic?Lens Adapter Cine T
- For E-mount Cameras
- For Canon EF Lenses
- Partial Auto Focus support
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-20%
EOS NEX EF to E-mount
- Mechanical Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
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F to E-Mount T III
- Mechanical Lens Adapter
- For E-mount Cameras
- For Nikon? F-Mount Lenses
- No Focus & Aperture Control
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F-mount G to E-mount
- Mechanical Lens Adapter
- For E-mount Cameras
- For NikonG? F-Mount Lenses
- No Focus & Aperture Control
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Battery
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V190 V-Lock w USB 190Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 13200mAh, 190Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
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-20%
V230 V-Lock w USB 230Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 15600mAh, 230Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
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-20%
V95 V-Lock w USB 95Wh
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 6600mAh, 95Wh
- Max Current: 14.3A Zero Memory Effect. Low self discharge. Info chip - overheating protection
Case
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1560 Dividers
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
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1560 Foam
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
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1560LFC
- Handheld Hard Case
- For Handheld Cameras & Laptop
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
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-20%
RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
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-20%
RunGun Large
- Handheld/Shoulder Bag
- For Handheld/Shoulder Cameras
- Interior(WxHxD):?600x300x240mm
- Dustproof/Shockproof/Waterproof
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-20%
Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Charger
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Quad V-Mount
- Quad V-Lock Charger
- For Sony Video Cameras
- For 4x V-Lock batteries
- Simultaneous Charging
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V-Lock 2 Channel
- High quality Dual Vlock Charger
- For Sony Vlock type batteries
- Simultaneous charging
- 16.8V/3.2A x2
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V-Lock 4-Channel
- Quad Charger
- For V-Lock Batteries
- For Sony Video Cameras
- 16.8V/2.6A x4
Controller
Lens
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20mm T1.5 FF-F-AP2
- Prime Cine Lens 20mm (Metric)
- f/1.5 Μax Aperture
- PL Mount
- i Technology
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Cine V-AF 24mm T1.9 FE E
- Prime Lens 24mm
- T1.9 Aperture
- Sony E Mount
- Full Frame Format
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Cine V-AF 35mm T1.9 FE E
- Prime Lens 35mm
- T1.9 Aperture
- Sony E Mount
- Full Frame Format
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Cine V-AF 45mm T1.9 FE E
- Prime Lens 45mm
- T1.9 Aperture
- Sony E Mount
- Full Frame Format
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Cine V-AF 75mm T1.9 FE E
- Prime Lens 75mm
- T1.9 Aperture
- Sony E Mount
- Full Frame Format
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FE PZ 28-135mm f.4 G OSS
- Zoom Lens 28-135mm
- f/4 Max. Aperture
- Sony E-Mount - Power Zoom
- Image Stabilizer & Auto Focus
Light
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LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
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LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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-20%
LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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-20%
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RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
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C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
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E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
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E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
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E-935
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
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NTG3 Shotgun Black
- Shotgun Microphone (Black)
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -30dB
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NTG4 Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB
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NTG4+ Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB - Internal Battery
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SR-NV5
- Shotgun Microphone
- Condenser Cardioid XLR 3-pin output
- For Professional ?Cameras
- 48V+ Phantom
Phones
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Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
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Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
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HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
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HD 25
- Dynamic Closed Headphones
- 16Hz - 22kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 70 Ohm impedance
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HD 25 Light
- Dynamic Closed Headphones
- 16Hz - 22kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 60Ohm impedance
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HD 25 Plus
- Dynamic Closed Headphones
- 16Hz - 22kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 70 Ohm impedance
REC-Media
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CF-Express B 128GB
- CF Express 128GB
- Write: 1200MB/sec
- Read: 1700MB/sec
- CF Express Type B
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CF-Express B 256GB
- CF Express 256GB
- Write: 1200MB/sec
- Read: 1700MB/sec
- CF Express Type B
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CF-Express B 512GB
- CF Express 512GB
- Write: 1400MB/sec
- Read: 1700MB/sec
- CF Express Type B
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SDXC Extreme Pro 128GB V30 200
- SDXC Card 128GB
- Write: 90MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC Extreme Pro 256GB V30 200
- SDXC Card 256GB
- Write: 140MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC Extreme Pro 512GB V30 200
- SDXC Card 512GB
- Write: 140MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SF-M SDXC128 V60 277M
- SDXC Card 128GB
- Write: 150MB/sec
- Read: 277MB/sec
- C10, UHS-II, V60
Reader
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CF Express Card Reader
- USB Card Reader
- CF Express Cards
- USB-C Connection
- USB3.1 Gen2
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MRW-G1
- USB Card Reader
- XQD Cards V.1.0/V2.0
- CFexpress Type B
- Max Transfer Speeds
Tripod
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Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
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Reach Plus1 AL
- Video Tripod Kit
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
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Reach Plus1 AL 3Kit
- Video Tripod Kit x3
- For Handheld/Shoulder Cameras
- 8.0KG Payload each
- 55-170cm
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Reach Plus1 AL 5Kit
- Video Tripod Kit x5
- For Handheld/Shoulder Cameras
- 8.0KG Payload each
- 55-170cm
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Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Wireless
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EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
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EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
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EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
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EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
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UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
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UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
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XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
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XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out