Sony - Camera
PXW-FS5II
4,877.11 EUR
4,682.02 EUR
- MFR-CODE: PXW-FS5M2
- BLK-CODE: 296-0156
- Handheld/Shoulder Camera
- XAVC-L 4K/HD 50/100Mbs
- E-Mount Lenses supported
- RAW & 4K @50P/60P/120P output
- 3840x2160 4K 24P/25P/30P
- Slow motion HD 240fps
- 0.16LUX Min. illum.
- 2x SD-HC Cards
- 3G/HD/SD-SDI & HDMI Output
Sony’s new Large Format Sensor lineup is expanding with the introduction of the FS5 II (Body: PXW-FS5M2, Lens Kit: PXW-FS5M2K). Complete with stunning 4096 x 2160 4K HDR and 120fps performance at 60Hz mode (and 100fps at 50Hz mode), as well as RAW capabilities, the new Super 35 mm camcorder marries outstanding image quality with an ergonomic modular frame, offering content creators ultimate creative flexibility.
In addition to S-Log 2/3, the FS5 II offers Instant HDR Workflow to produce HDR content, when shooting in HLG/BT.2020 mode, for quick post-production without the need for grading.
The FS5 II interchangeable lens, E-mount camcorder offers flexibility for applications including web commercials, music video production, dramas, corporate and event videography and documentaries.
Designed to meet the requirements of today’s content creators, the FS5 II features an all-new look with a refined picture tone to capture natural highlights, subtle, alluring and well rendered facial tones and a softer tonal look, for capturing lifelike portrayals. Using the accumulated expertise of Sony’s digital cinematography camera VENICE, the FS5 II promises a fresh and vivid look while still retaining plenty of creative options in post-production, as a result of its high performance 4K Super 35 Exmor® CMOS sensor.
Takuro Ema, product manager for Sony Professional Solutions Americas explains, “When Sony develops new camera technologies we gather feedback from all ends of the production chain – from DOPs to post production professionals. This camera was no exception. We’ve evolved and developed our hugely popular FS5 with default shooting capabilities and the FS5 II is now a powerful addition to the Large Format Sensor line-up which promises even more flexibility and creative choices.”
High Frame Rate shooting including 4K 120fps RAW output and HDR features
The FS5 II builds on Sony’s heritage for image quality, delivering stunning High Frame rate shots supporting four seconds of 120fps in 4K and continuous 240fps at 60Hz mode and 200fps at 50Hz mode in 2K (2048X1080) RAW output when used in conjunction with a compatible external recorder. Continuous 4K 60fps RAW output at 59.94p is fully supported, with 50fps supported at 50Hz mode.
The camcorder also offers High Frame Rate (HFR) recording to an internal SD card at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps of 8-second cache recording, allowing up to 10 x slow motion and capturing 239.76fps at HD or 2K, and playback at 23.98p. Continuous recording of 120fps in Full HD is also supported.
With an Instant HDR Workflow users can now reduce time in post-production and produce high-quality HDR content quickly without the need of grading. For productions of longer lead-times, S-Log 2/3 allows the HDR image to be fine-tuned via color grading.
Grab and Shoot Capabilities.
Lightweight but robust, theFS5 II’s well balanced 0.8kg body, adaptability and creative features make it a perfect fit for movie shooting, while its modular design makes it easy to reconfigure for any application including mounting on a gimbal or drone. Sony’s unique Electronic Variable ND filter with Auto ND function covers a wide range of exposure adjustment, as well as creating a wide range of shallow Depth of Field control.
Now with ten Picture Profile settings, the FS5 II allows users to instantly and easily configure the camera for different shooting styles, such as cinematic and online content creation.
In addition to S-Log 2/3, the FS5 II offers Instant HDR Workflow to produce HDR content, when shooting in HLG/BT.2020 mode, for quick post-production without the need for grading.
The FS5 II interchangeable lens, E-mount camcorder offers flexibility for applications including web commercials, music video production, dramas, corporate and event videography and documentaries.
Designed to meet the requirements of today’s content creators, the FS5 II features an all-new look with a refined picture tone to capture natural highlights, subtle, alluring and well rendered facial tones and a softer tonal look, for capturing lifelike portrayals. Using the accumulated expertise of Sony’s digital cinematography camera VENICE, the FS5 II promises a fresh and vivid look while still retaining plenty of creative options in post-production, as a result of its high performance 4K Super 35 Exmor® CMOS sensor.
Takuro Ema, product manager for Sony Professional Solutions Americas explains, “When Sony develops new camera technologies we gather feedback from all ends of the production chain – from DOPs to post production professionals. This camera was no exception. We’ve evolved and developed our hugely popular FS5 with default shooting capabilities and the FS5 II is now a powerful addition to the Large Format Sensor line-up which promises even more flexibility and creative choices.”
High Frame Rate shooting including 4K 120fps RAW output and HDR features
The FS5 II builds on Sony’s heritage for image quality, delivering stunning High Frame rate shots supporting four seconds of 120fps in 4K and continuous 240fps at 60Hz mode and 200fps at 50Hz mode in 2K (2048X1080) RAW output when used in conjunction with a compatible external recorder. Continuous 4K 60fps RAW output at 59.94p is fully supported, with 50fps supported at 50Hz mode.
The camcorder also offers High Frame Rate (HFR) recording to an internal SD card at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps of 8-second cache recording, allowing up to 10 x slow motion and capturing 239.76fps at HD or 2K, and playback at 23.98p. Continuous recording of 120fps in Full HD is also supported.
With an Instant HDR Workflow users can now reduce time in post-production and produce high-quality HDR content quickly without the need of grading. For productions of longer lead-times, S-Log 2/3 allows the HDR image to be fine-tuned via color grading.
Grab and Shoot Capabilities.
Lightweight but robust, theFS5 II’s well balanced 0.8kg body, adaptability and creative features make it a perfect fit for movie shooting, while its modular design makes it easy to reconfigure for any application including mounting on a gimbal or drone. Sony’s unique Electronic Variable ND filter with Auto ND function covers a wide range of exposure adjustment, as well as creating a wide range of shallow Depth of Field control.
Now with ten Picture Profile settings, the FS5 II allows users to instantly and easily configure the camera for different shooting styles, such as cinematic and online content creation.
GENERAL FEATURES
- LCD
-
3.5"
- Shutter speed
-
1/6sec to 1/10000sec
- Min. Illumination
-
0.16LUX
- Viewfinder
-
Yes, 0.39" OLED
LENS SYSTEM
- Sensor Resolution
-
8.29MP
CONNECTIONS
- No. of Video outputs
-
1/1/1
- No. of Audio inputs
-
2
- No. of Audio outputs
-
1/1/1/1
MORE SPECIFICATIONS
- Extras
-
S-Log2/Log3 Gamma ISO2000.
- Power Consumption
-
11.8W(14.4V/0.81A - 12V/0.98A)
PHYSICAL
- Total Weight (KG)
-
0.83
- Total Dimensions (WxHxD) (mm)
-
111x128x172
- Handle (1)
- Grip Remote (1)
- LCD Panel (1)
- Accessory shoe kit (accessory shoe (1), accessory shoe plate (1), screws (4))
- USB cable (1)
- AC adapter/charger (1) (BC-U1A)
- Power cord (1)
- Wireless remote commander (1) (RMT-845)
- LCD Protector (1)
- CD-ROM "Manuals for Solid-State Memory Camcorder" (1)
- Operating Guide (2)
- BP-U30 battery pack (1)
Pdf not available.
Sony PXW-FS5 II Review II
Sony PXW-FS5 II Review
Accessory
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Arri Rosette Extension Arm
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- Rossette Mount
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- M6 female to M6 male thread
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Arri-Rosette-Ext-Arm-1870
- Extension Arm for FS5
- Rossette Mount
- NATO rail
- 186mm-260mm extension
Adapter
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Arri Rosette w M3 Threads
- Thread Adapter
- Handgrip port to Arri Rosette
- M3 Threads
- For 1870 arm
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B4-Sony-E
- Mechanical Lens Adapter
- For E-Mount Sony Camera
- For Bayonet 2/3" Lenses
- No Aperture Control
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BT3 EF to E-mount w Booster
- Electronic Lens Adapter
- Cine ULTRA 0.71X Wider
- For E-mount Cameras
- For Canon EF Lenses
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BT4 EF to E-mount w Booster
- Electronic Lens Adapter
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- For E-mount Cameras
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BT5 EF to E-mount
- Electronic?Lens Adapter T
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- For Canon EF Lenses
- Smooth Auto Focus Support
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BT6 Cine EF to E-mount
- Electronic?Lens Adapter Cine T
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- For Canon EF Lenses
- Partial Auto Focus support
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E to EF Mount Canon
- Mechanical?Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
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E to F Mount G
- Mechanical?Lens Adapter
- For E-Mount Sony Cameras
- For F-Mount Nikon Lenses
- No Focus Control
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EOS NEX EF to E-mount
- Mechanical Lens Adapter
- For E-Mount Sony Cameras
- For EF-Mount Canon Lenses
- No Focus Control
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F to E-mount w Booster
- Electronic?Lens Adapter Ultra
- For E-mount Cameras
- For NikonG? F-Mount Lenses
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F-mount G to E-mount
- Mechanical Lens Adapter
- For E-mount Cameras
- For NikonG? F-Mount Lenses
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Grip Arri Rosette
- Thread Adapter
- Handgrip port to Arri Rosette
- M2.5 Threads
- For 1870 arm
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MC-11
- Electronic?Lens Adapter
- For E-mount Cameras
- For Canon EF Lenses
- Partial Auto Focus support
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NikonG-NEX
- Mechanical Lens Adapter
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- For F-Mount Nikon Lenses
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Battery
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BPU-30 14.8V 3350mAh
- High Quality Li-ion Mini Battery
- Sony BP-U30/U60 type battery
- For Sony FS5, FS7, X180 cameras
- 14.8V, 3.350mAh, 49.6Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
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BPU-65 14.8V 6700mAh w USB
- High Quality Li-ion Mini Battery
- Sony BP-U60 type battery with USB
- For Sony FS5, FS7, X180 cameras
- 14.8V, 6700mAh, 99.2Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
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BPU-90 14.8V 10.050mAh
- High Quality Li-ion Mini Battery
- Sony BP-U60 type battery
- For Sony FS5, FS7, X180 cameras
- 14.8V, 10.050mAh, 148.7Wh Zero Memory Effect. Low self discharge. Info chip - overheating protection
Cage
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FS5 Plate Kit
- Aluminum Cage
- For Sony PXW-FS5
- 1/4" & 3/8" Threads
- 2 plates on top of the camera
Case
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1560 Dividers
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
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1560 Foam
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
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1560LFC
- Handheld Hard Case
- For Handheld Cameras & Laptop
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
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RunGun BackPack Large
- BackPack/Handheld Bag?
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- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
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RunGun Large
- Handheld/Shoulder Bag
- For Handheld/Shoulder Cameras
- Interior(WxHxD):?600x300x240mm
- Dustproof/Shockproof/Waterproof
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Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Charger
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Mini 2-Channel with two plates
- High quality Dual Charger KIT
- For all kinds of Mini Li-ion batteries
- Panasonic, Sony, JVC, Canon, Nikon?
- NPF, FW50, FV100, FZ100, BPU60
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Mini 2-Channel without plates
- High quality Dual Charger with LCD
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Controller
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Remote-Control-MVR901ECLA
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Remote-Control-MVR901ECPL
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VZ-RL100
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VZ-ROCK
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Lens
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14-24mm F2.8 DG DN E
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Sony E Mount
- Auto Focus
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14mm-T3.1VDSLR-MK-II-E
- Prime Lens 14mm
- T3.1 Aperture
- Sony E-Mount
- For Full Frame & APS-C Sensors
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CP3-135mm-T2.1-E
- Prime Lens 135mm
- T2.1 Max. Aperture
- E-Mount - Metric
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CZ.2-15-30mm-T2.9-E
- Cine Zoom Lens
- 15-30mm
- T2.9 Max Aperture
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E PZ 18-110mm f.4 G OSS
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FE 12-24mm f4 G
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Simera-C 21mm T1.5 Cine E
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- T1.5 - T16 Aperture
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Simera-C 35mm T1.5 Cine E
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Simera-C 75mm T1.5 Cine E
- Prime Cine Lens 75mm
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Light
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LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
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LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
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RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
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- 96 CRI/TLCI
Microphone
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C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
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E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
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E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
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E-935
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- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
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NTG3 Shotgun Black
- Shotgun Microphone (Black)
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -30dB
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NTG4 Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB
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NTG4+ Shotgun
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB - Internal Battery
Phones
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Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
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Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
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HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
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HD 25
- Dynamic Closed Headphones
- 16Hz - 22kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 70 Ohm impedance
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HD 25 Light
- Dynamic Closed Headphones
- 16Hz - 22kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
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HD 25 Plus
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- 16Hz - 22kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 70 Ohm impedance
REC-Media
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SDHC Extreme Pro 32GB V30 100
- SDHC Card 32GB
- Write: 90MB/sec
- Read: 100MB/sec
- C10, U3, V30
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SDXC Extreme Pro 128GB V90 300
- SDHC/SDXC Card 128GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
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SDXC Extreme Pro 256GB V30 200
- SDXC Card 256GB
- Write: 140MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC Extreme Pro 512GB V30 200
- SDXC Card 512GB
- Write: 140MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC256EXT PROII V90 300M
- SDHC/SDXC Card 256GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
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SDXC32EXT PROII V90 300M
- SDHC/SDXC Card 32GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II - V90
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SDXC64EXT PRO V30 200M
- SDXC Card 64GB
- Write: 90MB/sec
- Read: 200MB/sec
- C10, U3, V30
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SDXC64EXT PROII V90 300M
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- Read: 300MB/sec
- UHS-II -V90
Reader
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ImageMate Pro USBC
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- Max Transfer Speed: 500MB/sec
- USBC Connection-USB3.0 interface
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USB 3.1 Type-C for SD and CF
- USB Card Reader
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Software
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MPEG-HD-Upgrade
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Tripod
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ACE M MS MK II 4KG AL
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- 4KG Payload
- 78-169cm
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ACE XL AL MS MK II
- Video Tripod Kit
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- 8KG Payload
- 78-169cm - Aluminum
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ACE XL CF GS MK II
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- 8KG Payload
- 58-173cm - Carbon Fiber
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ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
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- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
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ACE XL FT75 MS
- Video Tripod Kit
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- 8KG Payload
- 41-169cm
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ACE-M-MS
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- 4KG Payload
- 78-169cm
Wireless
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EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
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EW 112P G4 TX RX
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EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
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- Frequency: 626-698MHz
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UWMIC9-RX9TX9
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- Frequency: 514MHz-596MHz
- AA Batteries
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UWMIC9-RX9TX9TX9
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XSW D Portable Lavalier Set
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