The EOS C200 Digital Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility.
The EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording.
Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts.
A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.
The EOS C200 Digital Cinema Camera is a “ready-to-go” production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and newsgathering.
The EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data.
The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.
The EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor.
The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy.
The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus.
he EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing.
The EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards.
The EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It's capable of a maximum 120fps, realizing even greater emotion in visual expression.
The EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera's new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable.
MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority.
The EOS C200 supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.
The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.
The EOS C200 Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera.
The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired.
The EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording.
Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts.
A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.
The EOS C200 Digital Cinema Camera is a “ready-to-go” production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and newsgathering.
The EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data.
The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.
The EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor.
The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy.
The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus.
he EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing.
The EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards.
The EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It's capable of a maximum 120fps, realizing even greater emotion in visual expression.
The EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera's new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable.
MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority.
The EOS C200 supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.
The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.
The EOS C200 Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera.
The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired.
PHYSICAL
- Total Dimensions (WxHxD) (mm)
-
144x153x179
- Total Weight (KG)
-
1.430
MORE SPECIFICATIONS
- Power Consumption
-
Not specified
- Extras
-
Dual Pixel CMOS AF.
Dual DIGIC DV 6 Processor.
SD Cards for MP4 files, Cfast Card for RAW.
GENERAL FEATURES
- LCD
-
4"
- Viewfinder
-
0.46" OLED
- Min. Illumination
-
Not specified (13-stop dynamic range)
- Shutter speed
-
1/24 to 1/2000sec
- ISO
-
160-25600 (100-102400 expanded)
CONNECTIONS
- No. of Video outputs
-
1/1
- No. of Audio inputs
-
2/1
- No. of Audio outputs
-
1/1/1
LENS SYSTEM
- Sensor Resolution
-
9.84MP (8.85MP Effective)
- EOS C200 Camera Body
- LCD Touch Panel Monitor (LM-V1)
- LCD Attachment Unit (LA-V1)
- Handle Unit (HDU-2)
- Camera Grip (GR-V1)
- Shoulder Strap (SS-1200)
- AC Adapter (CA-A10)
- Battery Pack (BP-A30)
- Battery Charger (CG-A20)
- Compact Power Adapter (CA-CP200B)
- 50cm Unit Cables (UN-5)
- Eyecup Mic Holder
- Unit Tape Measure Hook x1
- Thumb Rest
- Body Cap
Pdf not available.
Canon C200 Footage
Canon C200 Review
Adapter
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Bayonet to Canon EF
- Mechanical Lens Adapter
- For EF-Mount Camera
- For Bayonet 2/3" Lenses
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FD-EOS
- Mechanical Lens Adapter
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- For FD-Mount Canon Lenses
- No Auto Focus support
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-20%
Nikon-EOS
- Mechanical Lens Adapter
- For EF-Mount Canon Cameras
- For F-Mount Nikon Lenses
- No Auto Focus support
Battery
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-20%
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-20%
BP-A65 14.8V 6700mAh w USB
- Mini Battery
- For Canon Video Cameras
- 14.8V - USB/DTAP ouputs
- 6700mAh
Case
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1510 Foam
- Handheld Hard Case
- For Small Handheld Cameras
- Interior(WxHxD): 501x193x279mm
- Dustproof/Crushproof/Watertight
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-20%
1510LFC Foam Pockets
- Handheld Hard Case with Pockets
- For Small Handheld Cameras & Laptop
- Interior(WxHxD): 501x193x279mm
- Dustproof/Crushproof/Watertight
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RunGun BackPack Large
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD): 350x520x220mm
- Dustproof/Shockproof/Waterproof
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RunGun BackPack Medium
- BackPack/Handheld Bag?
- For Handheld/Photo Cameras
- Interior(WxHxD):?440x180x300mm
- Dustproof/Shockproof/Waterproof
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-20%
RunGun Cinema
- Handheld/Shoulder Bag?
- For Handheld/Cinema Cameras
- Interior(WxHxD):?470x310x240mm
- Dustproof/Shockproof/Waterproof
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-20%
Travelmate 360
- Handheld Bag with Rollers?
- For Handheld Cameras
- Interior(WxHxD): 450x150x320mm
- Dustproof/Shockproof/Waterproof
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Travelmate-TM-Large
- Handheld/Backpack Trolley Bag?
- For Handheld Cameras
- Interior(WxHxD): 360x520x220mm
- Dustproof/Shockproof/Waterproof
Charger
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CG-A10
- Dual Charger
- For Canon mini Batteries
- For BP-A30 and BP-A60 Batteries
- 14.4V
Lens
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100-400mm-F5-6.3-C
- Zoom Lens 100-400mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
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105mm T1.5 FF-F-CE
- Prime Cine Lens 105mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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135mm T2 FF-F-CE
- Prime Cine Lens 135mm (Metric)
- f/2 Μax Aperture
- Canon EF Mount
- Full Frame Format
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14-24mm F2.8 DG HSM EF
- Zoom Lens 14-24mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Auto Focus
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14mm T2 FF-F-CE
- Prime Cine Lens 14mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Full Frame Format
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14mm-T3.1-VDSLR-MK-II-EF
- Prime Lens 14mm
- T3.1 Aperture
- Canon EF Mount
- For Full Frame & APS-C Sensors
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150-600mm-F5-6.3-EF
- Zoom Lens 150-600mm
- f/5-f/6.3 Aperture
- Canon EF Mount
- Auto Focus
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-20%
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-20%
18-35mm T2 F-CE
- Zoom Cine Lens 18-35mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Super-35 Format
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-20%
18-35mm-f1.8DCHSM-Canon
- Zoom Lens 18-35mm
- f/1.8 Aperture
- Canon EF Mount
- Auto Focus
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-20%
20mm T1.5 FF-F-CE
- Prime Cine Lens 20mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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24-35mm T2.2 FF-F-CE
- Zoom Cine Lens 24-35mm (Metric)
- f/2.2 Aperture
- Canon EF Mount
- Full frame & APS-C Format
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-20%
24-70mm-F2.8DGOS-HSMC-EF
- Zoom Lens 24-70mm
- f/2.8 Aperture - Art
- Canon EF Mount
- Full frame & APS-C Format
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-20%
24mm T1.5 FF-F-CE
- Prime Cine Lens 24mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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24mm-T1.5VDSLR-MK-II-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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-20%
35mm T1.5 FF-F-CE
- Prime Cine Lens 35mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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35mm-T1.5VDSLR-MK-II-EF
- Prime Lens 35mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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50-100mm T2 F-CE
- Zoom Cine Lens 50-100mm (Metric)
- f/2 Aperture
- Canon EF Mount
- Super-35 Format
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50-100mm-F1.8DC-HSM-A-EF
- Zoom Cine Lens 50-100mm
- f/1.8 Aperture
- Canon EF Mount
- APS-C Format
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-20%
50mm T1.5 FF-F-CE
- Prime Cine Lens 50mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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50mm-T1.5VDSLR-MK-II-EF
- Prime Lens 50mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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70-200mm f2.8 Di VC USD G2 EF
- Zoom Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- LD (Low Dispersion)
HOT
-20%
70-200mm F2.8DGOS HSM EF
- Zoom Cine Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- Full Frame & APS-C
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-20%
85mm T1.5 FF F CE
- Prime Cine Lens 85mm (Metric)
- f/1.5 Μax Aperture
- Canon EF Mount
- Full Frame Format
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-20%
85mm-T1.5VDSLR-MK-II-EF
- Prime Lens 85mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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-20%
ATX11-20-F2.8-PRODX-C
- Zoom Lens 11-20mm
- f/2.8 Aperture
- Canon EF Mount
- Auto Focus
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-20%
ATXi-11-16-F2.8-CF-Canon
- Zoom Lens 11-16mm
- f/2.8 Aperture
- Canon EF Mount
- 77mm Filter Size
HOT
-20%
CZ.2-15-30mm-T2.9-EF
- Cine Zoom Lens
- 15-30mm
- T2.9 Max Aperture
- Canon EF-Mount
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-20%
CZ.2-28-80mm-T2.9-EF
- Cine Zoom Lens
- 28-80mm
- T2.9 Max Aperture
- Canon EF-Mount
HOT
-20%
CZ.2-70-200mm-T2.9-EF
- Cine Zoom Lens
- 70-200mm
- T2.9 Max Aperture
- Canon EF-Mount
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-20%
EF 24-70mm f/2.8L II USM
- Zoom Lens 24-70mm
- f/2.8 Aperture
- Canon EF Mount
- Full Frame Format
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-20%
EF70-200mm-f2.8LIII-IS
- Zoom Lens 70-200mm
- f/2.8 Aperture
- Canon EF Mount
- Image Stabilizer & Auto Focus
HOT
-20%
LWZ.3-21-100mm-T2.9-EF
- Cine Zoom Lens
- 21-100mm
- T2.9-3.9 Aperture
- Canon EF-Mount
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-20%
Xeen-135mm-T2.2-Cine-EF
- Prime Lens 135mm
- T2.2 Aperture
- Canon EF-Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-24mm-T1.5-Cine-EF
- Prime Lens 24mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
HOT
-20%
Xeen-35mm-T1.5-Cine-EF
- Prime Lens 35mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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-20%
Xeen-50mm-T1.5-Cine-EF
- Prime Lens 50mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
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-20%
Xeen-85mm-T1.5-Cine-EF
- Prime Lens 85mm
- T1.5 Aperture
- Canon EF Mount
- Full Frame & APS-C Format
Light
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LED DL160T 13x10cm
- On Camera LED Light - 13x10cm
- 160LED 950lux @1m
- 5600K (3200K with included filters)
- 1x Sony F970 Type Plate
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LED120B Basic
- Bicolor LED Light Basic Kit
- Extended CRI: 95
- 120powerful SMD LEDs
- 3600Lux @0.6m
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LEDPAD-X52 19x13cm
- On-Camera Light - Approx. 19x13cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
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LEDPAD-X63 25x10cm
- On-Camera Light - Approx. 25x10cm
- Soft LED Light 120degrees
- Bi-Color 3200K-5600K
- LCD LED Screen
HOT
-20%
HOT
-20%
RM75 Magnetic Smart 10x7cm
- Video LED Light - 10x7cm
- 120Lux @1m
- RGB 2500K-8500K
- 96 CRI/TLCI
Microphone
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-20%
C-417PP
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
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-20%
Cardioid SM58S
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 15kHz response
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-20%
E-835S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -51dB
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-20%
E-845S
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
HOT
-20%
E-865S
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
HOT
-20%
E-935
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
HOT
-20%
Handheld Beta 58A
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 16kHz response
Monopod
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Aluminum w 18KG Payload
- Monopod
- For Handheld/Photo Cameras
- 18KG Payload
- 68-192cm
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Aluminum w 8KG Payload
- Monopod with Fluid Head
- For Handheld/Photo Cameras
- 8KG Payload
- 78-203cm
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Carbon Fiber w 20KG Payload
- Monopod
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- 20KG Payload
- 60-188cm
Phones
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Dynamic Closed K-240
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
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Dynamic Closed K-72
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
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-20%
HD 200 PRO
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
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-20%
HD 280 PRO II
- Dynamic Closed Headphones
- 8Hz - 25kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 64Ohm impedance
REC-Media
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CFast128EXT-PROII
- CFast 2.0 Card 128GB
- Write: 450MB/sec
- Read: 525MB/sec
- CFast 2.0
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SDXC64EXT PRO V30 200M
- SDXC Card 64GB
- Write: 90MB/sec
- Read: 200MB/sec
- C10, U3, V30
Reader
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ImageMate Pro USBC
- USB Card Reader
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- Max Transfer Speed: 500MB/sec
- USBC Connection-USB3.0 interface
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40Watt 8.4/4.8A for Dummy
- Power Supplier
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- 40W 8.4 V / 4.8A Output
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ACE M GS MK II 4KG AL
- Video Tripod Kit
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- 4KG Payload
- 58-173cm
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- Video Tripod Kit
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- 4KG Payload
- 78-169cm
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- Video Tripod Kit
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- 8KG Payload
- 78-169cm - Aluminum
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- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
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ACE XL Flowtech 75 MS MK II
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
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ACE XL FT75 MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
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ACE-M-GS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 57-173cm
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ACE-M-MS
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
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Aktiv10-Flowtech-100-GS
- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Ground spreader
- Aktiv10 instant mounting
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- Video Tripod Kit
- For Cine/Pro Cameras
- 12KG Payload- Mid spreader
- Aktiv10 instant mounting
HOT
-20%
Aktiv6-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Ground spreader
- Aktiv6 instant mounting
HOT
-20%
Aktiv6-Flowtech-75-MS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 8KG Payload - Mid spreader
- Aktiv6 instant mounting
HOT
-20%
Aktiv8-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
HOT
-20%
Aktiv8T-Flowtech-75-GS
- Video Tripod Kit
- For Handheld/Pro Cameras
- 12KG Payload - Ground spreader
- Aktiv8 instant mounting
HOT
-20%
Aluminum FreeBlazer AD-80
- Tripod Kit for Video Cameras
- FreeSpeed
- 8KG Max. Payload
- 1.91M Max. Height
HOT
-20%
Aluminum Heavy Duty AD-01
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
HOT
-20%
Reach Plus1 CF
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 8.0KG Payload
- 55-170cm
Wireless
HOT
-20%
EW 100 ENG G4 TX TX RX
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
HOT
-20%
EW 112P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack
- XLR output with cable adapter
HOT
-20%
EW 135P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Handheld Mic
- 1x Receiver with Jack
- XLR with cable adapter
HOT
-20%
EW 512P G4 TX RX
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 626-698MHz
HOT
-20%
UWMIC9-RX9TX9
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
UWMIC9-RX9TX9TX9
- Wireless Audio Transceiver 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
HOT
-20%
XSW D Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
HOT
-20%
XSW D Portable Lavalier Set
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out